I know that many manufacturers use machines to wind pickups to specific specs for consistent quality and reproduction of a particular pickup design. I’m confident that DiMarzio’s modern day manufacturing process is consistent from pickups if the same model.
consistency can be a benefit. it can also be more cost-effective.
I was wondering if DiMarzio scatter wounds pickups by machine and if they mimic hand wound pickups.
that'd be a question for DiMarzio. of course, don't expect a confirmation, if they answer that sort of question at all. companies can be finicky about sharing info that might contribute to giving away the secret sauce.
Today, people are hung up on hand wound pickups, but I’m sure that each pickup is not an exact match within the same model, regardless if the winds are exact. I assume that the tension, wire placement on the coil and scatter differences will impact a pickups sound. Although there are many choices, it’s hard to figure out what winding methods are superior to one another.
"hand wound" can be deceiving. there is "hand wound" where the coil is turned by hand, rather than by a machine. and there is "hand guided" (for lack of a better term) which is where someone literally guides the wire by hand. this can be as easily confused as "coil tap" vs "coil split" and how people think DCR = output.
I think that "hand guided" is what most people are shooting for. I'm not sure if/when DiMarzio put CNC winders in to place. Duncan did sometime in the 90s, when they bought some CNC machines off Jackson. while the CNC can be more consistent, it can also lose some of the "character" of the hand of a person guiding it. things from how the tension and the traverse can contribute to the coil geometry is what has a lot of people chasing down the older pre-CNC pickups.
the scatterwind "thing" started several years back. the very nature of "scatter winding" can hit upon some of the issues you mention. mainly... how do you get the same coil every time when you're laying down the wire in a scattered pattern? well, in some instances, companies can program a scatter wind into a CNC. the most "known" company that scatter winds is BKP and I do not know if they are CNC or if they are by hand.
I commissioned Mojotone to make me an
A4 hot-vintage humbucker a few years back and they totally programmed a scatterwind into a CNC for that project and I'll be darned if it's not one a really fun pickup for several genres. they went with 42 plain enamel and loaded the pup up to 10k, which meant some VERY full bobbins... so they were also able to program a tension that also helped get all that wire on there.
however, the benefit that people seem to hear from a scatter wind is the "transparency" or "clarity". by NOT laying down the wire side-by-side across each layer, the distributed capacitance is reduced by reducing the amount of contact a section of the wire has with any other section of wire (as a crude explanation). less capacitance can equate to what people consider transparent and clear. another way to approximate putting more "space" or "air" between the wire is a thicker insulation on the wire, such as a "heavy build"
so, in theory, imagine a stock Tone Zone (as a random selection). now imagine a TZ that is scatterwound and one that has a thicker build of insulation on the wire. also in theory, both of those should sound a little more "open" than the stock version. but... the coil geometry has been changed to some extent and it won't really be a TZ any more. maybe 90% or maybe even 99%, but not the same. however, you might like how it sounds better than the stock. same might go for Larry or Steve winding you a TZ that the "hand guide" rather than one off the production floor from a CNC (for example).
For example, is a Duncan MJ SSL 5 better than a stock SSL 5? Is it worth the extra $100 per pickup?
that's another can of worms. "better" and "worth" are a determination that the individual makes.
and once again, it will be the difference between a "hand guided" and CNC... although I do not know if the SSL-5 is off a CNC or not.
but as to MJ, someone can pay more for a new one from the custom shop or they can pay more by tracking one down online. I've found many older Duncan online for much less than I'd pay if I were to get it through the custom shop. and let's say you ask her to wind you a brand new one from the custom shop.... it will still sound different than one from the 80s, if only by the measure of any inconsistencies from the suppliers the company uses for the raw materials.